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Magnetic
Pickups
Magnetic pickups
have come a far way since its humble beginnings back in the 1920's.
The earliest pickups were no different than those found on archtops,
or later solid body electric guitars. Today, manufactures are more
aware of the tonal needs of acoustic instruments, producing magnetics
that have strong bass response and clear trebles. Magnetic pickups
are great alternatives to other technologies due to ease of use,
and lack of modifications to the instrument. Like piezo pickups,
they have little feedback due to the fact that they produce sound
by monitoring fluctuations in the magnetic field the pickup emits.
Magnetic pickups can have a more "electric" sound than
their counter parts if not used properly. One can achieve proper
tone by using a dedicated acoustic amplifier or a PA, as opposed
to an electric guitar amp which has more mids and less treble and
bass than an acoustic amp. Magnetic pickups can also suffer from
RF interference which produces the nasty hums and buzzes that electric
players regularly have to deal with. A good signal path and proper
electrical wiring can alleviate these problems. Dean Markley and
Fishman produce two of the most widely used acoustic magnetic pickups
available. The Dean Markley Pro-Mag is a low cost amplifying solution,
while the Fishman Rare Earth is designed to accommodate the different
string materials used for guitar strings (bronze versus steel),
balancing treble and bass string response.
Combination
Systems
While all of
these pickups can produce great tone, they each have their short
comings mentioned early. In the search for great amplified acoustic
tone, many manufactures have turned towards combining these systems
within the same guitar. By utilizing a piezo with a microphone,
as with the L.R. Baggs Dual Source system and the Fishman Blender
system, one can have the louder volume afforded to piezo pickups
with the more natural tone and attack of a microphone. Fishman also
offers their Rare Earth magnetic pickup with an attached gooseneck
microphone for similar effect. Godin guitars have taken to using
the L.R. Baggs piezo transducer and the I-Beam contact pickup within
the same guitar, again providing high volumes with natural attack
and tone. B-Band now offers all of their technologies separately,
so one could combine Their soundboard transducer with a microphone
or piezo. Virtually any combination is possible. The signal is outputted
to either a stereo jack, with each kind of pickup on a different
channel, or is adjustably blended before the output jack.
Sound for
the Masses
As one can
see, there is a multitude of options for amplifying your acoustic
guitar, banjo, mandolin, or sitar. Once you have a pickup system
installed, or temporarily mounted, you will be prepared to play
with even the loudest of drummers, horn sections, or even pipe organs.
Soon, we will describe the various ways one can process the signal
via preamps and acoustic amplification to achieve the ideal tone.
If you have
any further questions regarding pickups for any instruments, please
call us or email us.
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