|
The ionian
mode is the other prominent major mode. It differs from the
mixolydian by its placement of the second half step of the
scale as shown below:
| D |
|
E |
|
F# |
|
G |
|
A |
|
B |
|
C# |
|
D |
|
1 |
|
1 |
|
1/2 |
|
1 |
|
1 |
|
1 |
|
1/2 |
|
Two common
ionian tunings have the melody and middle strings at the same
pitch, a fifth or octave above the bass string. Other tunings
include the melody and bass strings an octave apart with the
middle string a fifth above the bass or the strings tuned
to create either a major or minor chord. A common ionian tuning
is DAA.
Aolian
is a minor mode. Again, it is the placement of the ½
steps in the scale that make it different.
| D |
|
E |
|
F |
|
G |
|
A |
|
Bb |
|
C |
|
D |
|
1 |
|
1/2 |
|
1 |
|
1 |
|
1/2 |
|
1 |
|
1 |
|
To tune
your mountain dulcimer to aolian from mixolydian, you can
use two methods. The first method is probably the simplest-leave
the bass and middle strings the same and tune the paired melody
strings down one full step. An alternate method would be to
raise the bass and middle strings up one full step. Each method
is completely acceptable and has its own merits. The most
common aolian tuning is DAC.
The last
mode we'll look at is dorian. As with the other modes, it
is the placement of the ½ steps that make it different.
Dorian is sometimes called "mountain minor" due
to its unusual scale.
| D |
|
E |
|
F |
|
G |
|
A |
|
B |
|
C |
|
D |
|
1 |
|
1/2 |
|
1 |
|
1 |
|
1 |
|
1/2 |
|
1 |
|
From
mixolydian, a dorian tuning can be achieved by raising the
bass string one full step. A common dorian tuning is EAD.
|