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The
mountain dulcimer, even in its simplicity, holds more than
a few secrets. Those who pick it up for the first time are
struck with its unique droning tones and find they can play
simple melodies rather quickly, sometimes within a matter
of minutes. What many beginning players don't realize though
is that there is no such thing as "standard" tuning
for the mountain dulcimer.
There
are two common tunings for mountain dulcimer, DAA and DAD.
In DAA, the bass string is tuned to D with the middle and
paired melody strings tuned to A. In DAD, the bass string
is tuned to D with the middle string tuned to A. In this tuning,
however, the paired melody strings are tuned to D. At Music
Folk, we commonly tune our instruments to DAD.
To introduce
a bit of music theory to the discussion, these tunings can
actually be referred to as modal tunings. Because a standard
mountain dulcimer does not include a fully chromatic scale
(12-tone), it is considered a modal instrument. That is, the
unusual pattern of frets on a mountain dulcimer renders a
seven-tone scale. These seven-tone scales are known as modes.
A mode
is then a pre-determined relationship of notes, in this instance,
defined by the open strings of the dulcimer. So in DAD tuning,
the relationship between the open strings of the dulcimer
in turn define the resultant 7-note tone. Modes can be major
or minor depending upon that relationship.
Let's
dive in a little deeper now
The ancient Greeks developed
seven different modes. In modern dulcimer music, only four
are commonly used. They are:
|
Major Modes
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Minor
Modes
|
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Mixolydian
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Aolian
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Ionian
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Dorian
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Mixolydian
is a major key mode and is probably the most common of all
modes for the mountain dulcimer. Of the mixolydian modes,
the most common tuning is DAD. The notes of the mixolydian
mode are:
| D |
|
E |
|
F# |
|
G |
|
A |
|
B |
|
C |
|
D |
|
1 |
|
1 |
|
1/2 |
|
1 |
|
1 |
|
1/2 |
|
1 |
|
Notice
the half steps between the F# and G and again between the
B and C. Keep in mind, it is the relationship between the
notes of the open strings that define the mode, not the actual
note. So, if the strings were tuned to EBE, it would still
be a mixolydian tuning but in a different key. This is an
important distinction.
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