Feature:

August 2004

Luthier Interview: Froggy Bottom by Rich Simmons

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MF: What are the benefits/disadvantages of a bolt-on neck? A radius top? Radius fingerboard?

Froggy Bottom guitars feature scrimshaw on the heel, just one of their "extras."

Michael Millard: "We have always used a straight mortise and tenon joint for neck attachment, because it does an excellent job of holding the neck where it belongs, and it's easy to disassemble and reset. We switched from using tapered pins to secure the joint to using bolts and barrel nuts because the bolts have a wider range of adjustability, and can apply more holding pressure overall. There is no inherent disadvantage to use of bolted on necks."

"As to top radius, a slight radius in the top can yield incredible strength with very light bracing, with the advantage of structural integrity and extraordinary responsiveness.
And fingerboard radius is a matter of musical style and ergonomics. We use a twenty inch radius on our boards as a default. Some people prefer more, and some less, and there's basically no one right answer."

MF: What strings do you recommend for your guitars? What guage? Why?

Michael Millard: "String manufacture, and material, and gauge, are entirely personal choices. Well, almost entirely. It is very important not to use strings that are too heavy for the instrument's structure. Our smaller guitars are intended for use with light gauge strings, unless we know ahead of time that the player is going to use mediums and consequently needs a slightly stiffer top. We use, and love, GHS strings. Every guitar leaves our shop with GHS Bright Bronze strings on it. Nevertheless, what string will appeal most to a player is personal, and reflects individual tonal preference."

MF: Do you have an over-all philosophy of building that defines your decisions and building choices?

Michael Millard : "Guitars are all about music. If it works well, sounds great, and is a beauty to behold, then terrific. If it looks beautiful but doesn't play well or sound great, then it's not a worthwhile guitar. And beauty is in the ear of the beholder."

MF: What plans do you have for the future?

Michael Millard : "Our long term plan is to continue to build a relatively small number of guitars that really please us. It's important that we build few enough that we be able to really focus on and get to know each one. As soon as they start to be generic, the fun goes away. It's kind of like music making. It's important to play the right notes, but even more important to really mean it and play with feeling."

Note: The opinions expressed by Michael Millard are not necessarily those of Music Folk and should not imply Music Folk's endorsement of one product over another.

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